Thursday, February 18, 2010

ALL THE LOVELY BAD ONES by Mary Downing Hahn

The New York Times Book Review says, "Spooky...A fine scary tale for a campfire." That is a perfect description of ALL THE LOVELY BAD ONES.

The book reminds me of a Barbara Michaels' novel, but for middle graders. There's no gross horror like a "Friday The Thirteenth." Instead it's creepy with supernatural elements.

When Travis and his sister are banned from camp, they're sent to spend the summer with their grandmother. She runs a Vermont Inn that has a history of ghost sightings. Travis and Corey decide to stir up some mischief, and the pair of them get WAY more than they bargained for.

A Tip for Writers: Study the voice of the ghosts, particularly Seth. The author does a brilliant job with characterization.

Saturday, February 13, 2010

Richard Peck and Me (Part 2)

I was ecstatic when I discovered that Richard Peck would be critiquing my manuscript at SCBWI Miami. Several people asked me if I was nervous. But no, I never was. I knew Richard Peck had been a teacher, and in my experience teachers are generous with students who genuinely seek to learn.

I walked into my critique carrying his latest novel, A SEASON OF GIFTS, so that I could get it signed. He had "rock star" status at the conference, and his line was always too long during breaks.

"Finally we meet," he says. Be still my heart! I love his voice. He hands me a two-page typed critique. He likes my work. He REALLY likes it.

It helps that I have written a novel set in the 1920's. His written critique says, "Moreover, your subject matter is my own favorite: rustic nostalgia (with an edge) to reveal a little history to a generation not learning any at school."

Since Mr. Peck had only read the first ten pages, he asked me to walk him through the rest of the plot. My novel had a midwife and a second older woman called Cousin Rachel. He told me those two characters sounded remarkably similar. He asked me if they could be combined. I stopped and thought about it for a moment. "Yes,!" I said. "Yes, that is absolutely brilliant!" I have since combined those characters, and it makes a huge difference in the novel.

He asked me to justify why my character had two sisters. Would one sister suffice? In this case, I needed two sisters for the plot, but he asked me to think through my cast of characters, to make sure each one was vital to the story I was telling.

I told him that my character would have a choice to make: whether to stay on her family farm or make her way into the world. My character is head-over-heels in love with her farm boy so I thought she would probably stay. Mr. Peck points his finger at me, "She must go!" he says in that wonderfully deep voice. And that's when I knew exactly how my book would end.

My critique with Richard Peck was a crash course in plotting a novel. I've been critiqued many, many times, but I've never before had a session as productive as that one. My fifteen minutes with him exceeded all of my expectations. He truly is a great teacher.

Saturday, February 6, 2010

First Page Wisdom From Richard Peck, Kathleen Duey, and Jen Rofe SCBWI Miami

Richard Peck talked about the importance of a great opening line. Consider this from his book THE TEACHER'S FUNERAL: "If your teacher has to die, August isn't a bad time of year for it." That line is definitely memorable and makes the reader ponder what's coming next. Mr. Peck said he goes to the bookstore about once a month and writes down the opening lines from books he admires.

Kathleen Duey spoke of the importance of the first page and said she frequently rewrites the first page about twenty times.

In the novel intensive workshop, Jen Rofe read my first page out loud. She said it needed a stronger opening line, it could be tightened, the character's voice could come through more strongly.

I took Richard Peck's advice. I copied down lots of great opening lines from other books. I took Kathleen Duey's advice. I rewrote my first page about twenty times. I literally spent a whole day just working on the first two pages. Here's my take away: Peck, Duey, and Rofe dropped pearls of wisdom. My opening is much stronger from following their advice.

Give these pearls of wisdom a try. I'd be interested in hearing if they work for you too.